But it feels really wonderful to be able to make a space that is not about trying to assimilate into a dominant culture; it’s kind of the other way around. Top Rated Seller Top … David Adjaye, Pitch Black, 2006Photograph by James Wang. House & Home: Aperture 238 (Aperture Magazine) by Aperture available on Bookshopee.com. Significant support for Aperture magazine is also provided by The Kanakia Foundation. So intimacy is profoundly at the heart of my work. Get the best of Aperture in your inbox every day. Really an assessment of the blur between the two worlds. They are a battery recharge for the body before going back into the world—restorative, committed to nature, connected to a source of individuality that allows the body to breathe. And I am interested in the latter. An artist’s architect, Adjaye has worked with Chris Ofili, Lorna Simpson, and Olafur Eliasson, all of whom push the boundaries of the imagination. A look at the dynamic photography scene in a city of images. Adjaye: It’s not quite the apocalypse. Iduma: What kind of sensibilities do you think will be important to develop when thinking about home going into the next fifty years, or even twenty-five years? FREE Shipping. APERTURE Magazine, No.235, "ORLANDO" Tilda Swinton, ANDROGYNY, Tillman, Drag. People talk about housing shortages. Adjaye: They share a common kind of research root, but they are, to me, expressed very differently. Adjaye: Instagram allows me to perform one of my public duties as a public person. The German artist surveyed advertisements, reportage. FAQ David Adjaye, Carriage House, 2010Photograph by Lyndon Douglas. Advertising This is one of those moments where the rescripting now presents the opportunity of an architecture, because the rescripting, the appropriating, has been kind of completed, so that it makes its own reference, and then reimagines the city another way, which allows the city to go, “What the hell is that?” But it doesn’t realize that it’s actually from itself. Signs and symbols for living It is all going to change because we simply have changed as a civilization on this planet, and either we are going to destroy the planet by taking over all the land, or we’re going to change it, we’re going to shift it. From interviews with leading architects—such as David Adjaye, Denise Scott Brown, and Annabelle Selldorf—and a reconsideration of the irreverent interiors magazine Nest, to previously unpublished work by Robert Adams and new portfolios by artists, including Alejandro Cartagena, Fumi Ishino, Mauro Restiffe, and the duo Randhir Singh and Seher Shah, House & Home considers the concepts of home across diverse geographies and time periods.Format: Paperback / softback Iduma: Are there other photographers’ works where you’ve seen that kind of through line between how the body is depicted, and then how buildings, or how landscape in general, And residential spaces are slightly different, because they have to do with the kind of changing nature of the city, and the different densities. Evans helped define documentary photography and is considered one of the most influential artists of the 20th century. Iduma: The first major project that you designed in the United States, Pitch Black, was the artist Lorna Simpson’s studio in Brooklyn. by Lena Fritsch, Interior Life FREE Shipping. David Campany is a writer, curator of exhibitions and an artist. I wanted to make content that, even though it’s dense, has a kind of trajectory and a direction to it, for people to really engage in increments—in bite-size pieces, knowing where the story is and how to sample it. Print Magazine. Aperture 238: House & Home (Aperture Magazine) by Michael Famighetti | 10 Mar 2020. The magazine of photography and ideas. Distribution Best Seller in Telescope Refractors. Acclaimed architect David Adjaye reflects on what kinds of homes we build, and how we live in them. In Japan, the myriad forms of longing for home If you’re making homes, they have to become no longer just components of the city, but refuges. Adjaye: In a way, my work has a kind of new vernacular. New (Other) C $17.25. 1 GRANARY #6 . They include cultural and historical landmarks—such as the National Museum of African American History and Culture, in Washington, D.C., and the planned Holocaust Memorial, in London—and sites that show the possibilities of civic engagement, such as the Moscow School of Management SKOLKOVO and the new building for the Studio Museum in Harlem. Get the best of Aperture in your inbox every day. or Best Offer +C $34.72 shipping estimate. James Barnor, Two Sisters- in-law, Florence and Gifty, 1973–74Courtesy the artist and October Gallery, London. Iduma: Finally, I wanted to ask about your use of Instagram. Exciting, In Buffalo, the photographer finds imaginative, Drake's photographs reveal the textures of. Distribution Adjaye: Adam and Amalia’s house—that’s something almost iconic in my portfolio. by Sara Knelman, Denise Scott Brown Does this particular form of museology also impact the kind of work you do with artists or museums, if you’re thinking critically about the kind of storytelling experience that a viewer can have? James Barnor is really that kind of photographer for me—he photographs West Africans in London, and speaks about the hybridity of West Africans in London, but also photographs the West Africans in independence architecture. Instagram became a tool where I could simply share what is going on in the lens of my eyes and my thoughts with anybody who was interested in my work. The photography of Walker Evans (1903-75) is introduced in a new, redesigned and expanded edition of Aperture’s classic book from its Masters of Photography series. I am making a body of images that I hope becomes a kind of reflexive space, one that allows another generation to look at a body of references that’s different from the canon that they’re supposed to look at. In a World of Brutal Urbanism, Can a Home be a Refuge? 4.2 out of 5 stars 3. 5.0 out of 5 stars 1. Published by Aperture, this quarterly magazine features celebrated and up-and-coming photographers organized around a theme. And they are constantly reused to delve into issues that I’m very interested in. Find many great new & used options and get the best deals for Aperture Magazine Ser. Iduma: I am also thinking about an interview you granted to the Design Museum, where you were speaking about the Smithsonian’s National Museum of African American History and Culture, in Washington, D.C., and one of the things you say is that you wanted to create a design that transforms the museum from a viewing experience into a narrative experience. We have to aggregate and, in fact, shrink in the center. About the Contributor. Adjaye: But hybridized by people of color across the entire spectrum, and remade in a different way. It’s birthed from the very premise of the city, but the way in which the city creates suppression can also birth a form that is surprising, generous, and opportunistic. C $14.60. FRONT Agenda: Exhibitions to See Zanele Muholi, Vera Lutter, Umbo, Vivian Maier… Revisiting an iconic exhibition of family photographs Staff So the building is a kind of game in that way. Further generous support is provided by the New York City Department of Cultural Affairs in partnership with the City Council. The privilege of saying “I want my space to look like what it always looked like” is a kind of hopeless fantasy, to be honest. I think that the trajectory of West Africa specifically, if it hadn’t been colonized, would have been really powerful in helping the world to understand how to make that architecture. House & Home: Aperture 238 (Aperture Magazine) Aperture. Host an Exhibition, Contact Us Faster Shipping. I don’t have any interest in Instagram as a kind of business tool or extension of myself. The residential buildings are more about a kind of specific beauty, and the public spaces are about a kind of collective beauty. I was fascinated by both of their practices. Iduma: Yes. RangeTray Sig Sauer P238 .380 Caliber Magazine Loader Speedloader. We do them for some very particular people who want to create intimate scenarios. From United States. Concealment Tactical Magazine IWB Pouch - by Houston- ECO Leather and Multi Use Soft Pouch for Pistol Inside The Waistband Small, Medium and Large Single and Double Stack .380 .9mm .40 and .45 Cal. All Work is Copyright Of Respective Owner, Otherwise © 2020 Aperture Foundation. Aperture Magazine. The summer issue of Aperture magazine considers the influence of photography on leading filmmakers, and the role of cinema in the work of artists and photographers. Aperture #90 [Aperture Inc., William Bradford, Sebastian Rodrigue] on Amazon.com. Aperture Magazine 238, House & Home Posted in Kitchen Hardware By Author Posted on 26/11/2020 09/06/2020 Tagged aperture , house , magazine Eaten Out of House and Home: Impacts of Grazing on Ground-Dwelling Reptiles in Australian Grasslands and Grassy Woodlands Email. It’s a critical mark in the sand, especially after the National Museum of African American History and Culture, which is a federal project. Museums have gone so far as to become almost an archive of history; I think that the complexity of our time has been missing from the way in which museums have organized their spatial narrative. You call your page a “visual sketchbook,” or that’s the name of your account. As I’ve become more successful in what I’m doing, I don’t have time to be in schools and teaching in the way that I used to. Markets collapse and restart. Aperture, a not-for-profit foundation, connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other—in print, in person, and online. For diverse communities and communities of color who find themselves in the minority, it’s a big statement. It avoids the middle ground. The Ballads issue of Aperture magazine is organized around the themes contained within the original ballad—intimacy, friendship, community, love, sex, trauma, music—while also honoring the urgent role of the artist as a force for cultural and social change.. Few works have impacted the world of photography like Nan Goldin’s The Ballad of Sexual Dependency. 4.3 out of 5 stars 49. It always assumes some of what I call a “slip” with the existing conditions and also, at the same time, a resonance. The documentation and the making of images become part of a collective memory, the memory that informs the next generation. World renowned and the choice for many of the premier global military, law enforcement and commercial users. We’ve gotten bigger in a hundred years than in the previous ten thousand years. The project was drawn from her incredible gazes, these gazes of the phenomenon of architecture and the phenomenon of the body in architectural space, and the way in which the body can be dismembered to have narratives about memory and cultural scenarios. Record the city now, because in a hundred years it will not look like this. In a way, the idea of making homes is about what I call a “unique intimacy.” We don’t do homes like you see in big magazines. ... Read more from Aperture, issue 238, “House & Home,” or subscribe to Aperture and never miss an issue. He has the credentials to make these claims. Public spaces really are about speaking to the time and to the powerful narratives that are in the space. Number of pages: 136 That’s deliberate. Connecting to Collections: Aperture Remix Saturday, July 12 – Have you ever wanted to see some of the images in MOPA’s collection up close? [Laughs] It’s kind of like a new body that’s implanting itself globally across many geographies, but it’s actually a new reading of the body. $19.38. In the entire house, there’s nothing in the sense of conventional proportion; it’s either exaggerated or extremely intricate. Gskyer Telescope, 70mm Aperture 400mm AZ Mount Astronomical Refracting Telescope for Kids Beginners - Travel Telescope with Carry Bag, Phone Adapter and Wireless Remote. Brand New. And it’s an attempt to rescript the dominance of Western architecture and to hybridize it, to implicate it with other phenomenology. David Adjaye: It’s quite a specific task, especially if you have the luxury of being able to make a home at the beginning of the twenty- first century. Brendan Embser on Frederick Kiesler’s Space House, 1933. Adjaye: Absolutely. Do you still think about those kinds of distinctions? Click here to see an interactive timeline which details the history of Aperture. Adjaye: Completely. It is possible to think that there is a so-called disjuncture between the buildings and the headgear or hairstyles. Related items. I think understanding the body as architecture is a very central way to understand what I am doing. And it’s really a direct critique/discourse with her work in a very profound way. Please see our shipping information here before ordering. 5.0 out of 5 stars 1. Agenda: Exhibitions to See If one can make connections between, say, the buildings that you are making as some kind of body and the notion of intimacy in architecture, in general. Spring 2020 “House & Home” How do homes serve as emblems of a moment, markers of the past, or articulations of future possibilities? All Work is Copyright Of Respective Owner, Otherwise © 2020 Aperture Foundation. But I also realize that just holding on to what it is, exactly as it is, is not the answer. If this sentence appeals to you, subscribe now: "It's fitting that Tim Davis shared Levitt's images with his photography students as examples of both levity and joy in the medium. Emmanuel Iduma: When you begin designing a home, what kind of visual references do you use, and how do you approach that kind of research? Iduma: I was reflecting on your ideas in relation to the work you did with Carriage House 2010 with Adam Lindemann and Amalia Dayan, who are art collectors. Randy Kennedy on artists in advertisements, Backstory Aperture Magazine 238 House & Home. Iduma: I imagine it’s a tenuous connection, but I am thinking about the notion of intimacy in your architecture and this idea of thinking about the body as some kind of metaphorical notion that guides the work you do. Tranquility and precision in private homes and museums Courtesy Adjaye Associates. When you look at that building, it’s really a composition about religion and black culture, and then the reappropriation of topology, the phenomenon of form, the use of different space—those are all working through it. That’s the kind of context of being an immigrant, you hybridize—in that Du Boisian sense—you can inhabit many bodies and be in many spaces. Amazon's Choice for aperture 120d Aputure 120D Mark 2, 120D II LED, 180W Daylight Balanced Led Video Light, 30,000 lux@0.5m, CRI96+ TLCI97+, Support DMX, 5 … Add to cart And we have just started to invent tools to deal with this extraordinary explosion. Here, Adjaye, whose own photographs of architecture in Africa and around the world have been collected in books and shared widely on Instagram, reflects on the sensibilities that inform what kinds of homes we build, and how we live in them. Latest issue: Aperture #240 Fall 2020 This fall, as debates around nationalism and borders in North America reach a fever pitch, Aperture magazine releases “Native America,” a special issue about photography and Indigenous lives, guest edited by the artist Wendy … So, for me, it’s like the first big cultural open house in New York—the first real one for black people. I always say that we’ve forgotten that we’ve moved from a population of one to eight billion in a hundred years, which has never happened in the history of humanity. *FREE* shipping on qualifying offers. Courtesy Adjaye Associates. Jobs A Conversation with Julian Rose, Domestic Comfort Is architecture simply a machine for living in? David Adjaye, Sugar Hill, New York, 2015Courtesy Adjaye Associates. Published by Aperture in 1986, The Ballad retains an uncommon power with its unflinching portrayal of friends, lovers, and relationships—a dramatic opera of joy and despair. A Conversation with Alejandra González Romo, Minimal, Messy, or Melancholic? Buy AR-15 Parts Factory replacement gun parts, accessories and gunsmithing service on most manufacturers including Browning, Winchester, FN America, Beretta, Benelli Franchi, Stoeger, Remington, Bushmaster, Marlin, Sig Sauer, HK and many more. Aperture #90 Introduction by Olivia Laing, Mauro Restiffe So, in a way, everything about the Studio Museum originates from the profound experience of Harlem, and being in Harlem, and the time that has passed now, and the hybridization that has happened with the architecture, which was built by Europeans. Eight months after New York’s lockdown. Privacy Policy In a way, their kind of ravenous attempt at collecting at the institutional as well as the domestic scale was fascinating for me, because that’s the schizophrenia that I thought was extraordinary—collecting for the home, the palace built with specific pieces, the ravenous idea to collect what is relevant irrespective of the scale. In a hundred years’ time, that magnitude is going to be even more profoundly acute, because we simply cannot build fast enough for the population explosion that’s happening through the advances in medical science. 4.5 out of 5 stars 238. Join MOPA’s curatorial department for this seasonal series that links the Museum’s permanent collection with our exhibitions, by allowing members […] Now is your chance. I’m curious whether her work informed the building of the studio, or whether, in general, your relationships with artists inform the homes, the studios, and even the museums that you build? Zanele Muholi, Vera Lutter, Umbo, Vivian Maier, Redux It’s really a fragment of a set piece, which has to do with how close it is to a church and a rectory. 99. It’s a kind of wonderful fantasy, and it’s romantic but not sustainable. Publication date: 2020-03-10 Click here to see an interactive timeline which details the history of Aperture. Introduction by Lauren Elkin, Object Lessons People look at the architecture of West Africa—what is left, what wasn’t destroyed—and they think of it as a kind of material primitive but actually don’t realize the sophistication, which was about the whole way in which you organized the society. Board of Trustees In a World of Brutal Urbanism, Can a Home be a Refuge? Emmanuel Iduma is a writer based in New York and Lagos and is the author, most recently, of A Stranger’s Pose (2018). $23.70. For me, it’s not so much about visual references or trying to make relationships to other things, but really about starting from the inside out, moving from the person to the enclosure. The Spring 2020 issue of Aperture considers the meanings and forms of domestic spaces, and the relationships between architecture, design, and photography. The research comes from the place that they want to make their home, whatever that idea is, and then we move out from there. Most of West Africa is the city as the body—the architecture is really about the body. It’s a very West African way of thinking, actually, that people don’t realize. I think as a public person who is making form in the city, it’s a responsibility. There’s the lack of ability to build in what has become of the city, and we don’t want to make any more suburbs. Organized with the scholar Nicole R. Fleetwood, an expert on art’s relation to incarceration, the Spring issue of Aperture magazine addresses the unique role … Adjaye: Especially in a metropolitan world, where everything is being mixed, do we make a machine aesthetic of the city, which is simply a tool, a machine to be used? And, you know, capitalism, and the way in which it creates value, has a little check in it. It’s about the face, the arms; it’s about the organs, the systems. There’s gentrification that is the opportunity of capitalism and its horrible desire to gain as much as possible—especially now at the beginning of the twenty-first century. Iduma: Could you speak about your concerns with gentrification, particularly if there is a difference for you between the idea of housing and the idea of home? I hope that mine will give them another way of looking. It’s such an important moment. Aperture Magazine Untitled Film Stills Self Portait Aperture Foundation Aperture Photography Cindy Sherman Heroes Of The Storm Martin Parr This is a project that was generated within a city by a group of supporters and patrons and was eventually supported by the city, recognizing that it is fundamentally important. How do homes serve as emblems of a moment, markers of the past, or articulations of future possibilities? She asked me to work on her studio with her partner at the time, Jim Casebere. Aperture’s “Los Angeles” issue explores how one of America’s most photographed cities is also an essential hub for some of today’s most important photography and photo-based art. They were built exclusively for a certain idea of the population. Jobs This fall, as debates around nationalism and borders in North America reach a fever pitch, Aperture magazine releases “Native America,” a special issue about photography and Indigenous lives, guest edited by the artist Wendy Red Star. 4.3 out of 5 stars 8,361. Privacy Policy I am curious if you still think about these notions of the vernacular, and how they might not only inform your material sources, but, say, show up in 130 William, your current high-rise project in New York. A Conversation with Peter Barberie, Alejandro Cartagena Measurements: 12 x 9.25 x 0.6 inches $9.95 $ 9. They are shot a certain way to give me thoughts about a certain region, or a certain place, or to trigger certain emotions about a place. The apocalypse is much, much worse. So the house is a dialogue between the institutional-commercial scale and the residential. But some scholars have argued that there is no disjuncture there, that it’s essentially the same vision—the attempt to capture with compositional acuity what towers above. Sig Sauer Sale. I was very specific and deliberate. Adjaye: Lorna is probably one of my favorite artists in the world. 25,00 € How do homes serve as emblems of a moment, markers of the past, or articulations of future possibilities? Only 6 left in stock (more on the way). David Adjaye, Carriage House, 2010Photograph by Robert Polidori. Or is architecture an extension of the body? House & Home - Aperture 238 - Spring 2020 $ 24.95 $ 16.22 24.95 $ 16.22. of cooperation. Those images are taken in an honest way to share exactly how I look at things, and how that information is constantly in a feedback loop with me. There are all these institutions, but in a way, they were built not really for the audience of black folk or brown folk. Tweet. Board of Trustees 95. Aperture wishes to thank the following individuals for their ideas and guidance in assembling the magazine’s “Mexico City” issue: Iñaki Bonillas, Miguel Calderón, Andrea Celda Laurent-Atthalin, Sarah Hermanson Meister, Elena Navarro, Pablo Ortiz Monasterio, Ramón Reverté, and Oswaldo Ruiz. The inspired commissions for an irreverent shelter magazine $184.99 $ 184. ... Aperture 238: House & Home $31.64. In making the Smithsonian, I really wanted to avoid that problem. Adjaye: I am not a photography expert, but I have a particular fascination with that generation that was post-independence, and the way in which they were trying to deal with the past and potentially project a body of work that speaks to the future. Mexico City The fall 2019 issue of Aperture illuminates the diverse image culture in North America’s largest metropolis and the ways Mexican photographers are pushing new visions in the medium. A Conversation with Emmanuel Iduma, Frida Escobedo Read more from Aperture, issue 238, “House & Home,” or subscribe to Aperture and never miss an issue. ISBN: 9781597114837. Aperture 238 – House & Home From: € 25,00 Every issue of Aperture is made to last – with the highest quality printing and reproduction, the best paper, and a refreshing attention to detail in typography and design. Almost all my public projects have a curatorial or narrative base to do with trying to impart some kind of experience through other media. If you’re lucky, you can create a refuge, which is your shield against the city. How do photographs by artists or architectural photographers, or even your own photographs, play into your design process, and help you develop your thinking on architecture and urbanism? Aperture Magazine House & Home Aperture 238: Spring 2020 How do homes serve as emblems of a moment, markers of the past, or articulations of future possibilities? Aperture magazine is an essential guide to the art and phenomenon of photography, that combines the smartest writing with beautifully reproduced portfolios. The Spring 2020 issue of Aperture considers the meanings and forms of domestic spaces, and the relationships between architecture, design, and photography. Aperture, a not-for-profit foundation, connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other—in print, in person, and online. Aperture magazine is for art professors and students who want to explore post modern photographic art and deconstruct it. Guest-edited by Sarah Elizabeth Lewis, Vision & Justice addresses the role of photography in the African American experience. So the planet is going to change, and our ideas of the city are going to radically change. Aperture is the 2018 National Magazine Award Winner for General Excellence. During a recent conversation with the writer Emmanuel Iduma, Adjaye was most impassioned when he spoke of drastic changes ahead, in which cities of the future will be increasingly brutal. Rescripting what’s already happened. They had a certain kind of casual manner, because I was making a critique against a kind of highly choreographed photography. Best Price online. Best-selling essay books. With its impressive roll-call of photographers, With wit and compassion, Melissa O’Shaughnessy's, Legendary photographers. Terms of Use. His practice, based in New York, London, and Accra, is like a body, he says, “implanting itself globally across many geographies.”. Perhaps that’s a good place to segue into talking about this turn from designing residential spaces to designing public spaces. Paperback. [Laughs], Photographs from David Adjaye’s Instagram, 2018–19Courtesy the artist. He has published several books on photography, cinema and art, and over a hundred essays. I’m curious what have been the peculiar pleasures of sharing the mélange of built forms you encounter in the course of your travels, and how that has informed your practice since you started using Instagram. Unlimited Access For the first time ever, subscribe for full access to the Aperture archives. : House and Home : Aperture 238 (2020, Trade Paperback) at the best … FAQ National Museum of African American History and Culture, What a Portrait of an Iranian Surfer Reveals about Western Fantasies of the Middle East, How Digital Platforms Celebrate Black Photographers and the African Diaspora, How Yurie Nagashima's Self-Portraits Interrogate the Male Gaze, How an Irreverent and Joyful Interiors Magazine Redefined the Idea of Home, The Parade of Life on the Streets of New York, Arrivals and Departures Along the Trans-Siberian Railway, Dannielle Bowman Finds History in the Shadows, How a Chinese Photographer Navigates Queer Identity and Resilience, Gregory Halpern’s Lyrical Chronicle of a Rust Belt City, In the West, Carolyn Drake Seeks New Expressions of American Identity, Marianne Wex’s Study of Gender and Power in Images, What It’s Like to See Photographs Again. Thinking about typology, I just want to go back to your thinking around the photographer J. D. ’Okhai Ojeikere’s work. Is the process similar, or is it different? Change might be inevitable, but Adjaye believes the home must be designed as a refuge. Share. Aperture-Aperture Magazine - Issue 238: House & Home Aperture Back Issue Spring 2016 (Digital) Founded in 1952, Aperture is an essential guide to the world of contemporary photography that combines the finest writing with inspiring photographic portfolios. The response was unprecedented. Published quarterly, each issue focuses on a major theme in contemporary photography, serving as a book about its subject, for everyone interested in understanding where photography is heading. Aperture 4.0 out of 5 stars 24. But more than that, which is the last part of that layer, it’s this kind of reference to the person, or the couple, or the family, whether it’s about art, or a certain kind of labor, or a certain kind You speak about this “schizophrenia,” as you called it, between the domestic and the institutional, or the domestic (in my own thinking) and the undomestic. Adjaye: Yes. Staff They were collecting work that normally would fit in museums, institutional spaces, and now they wanted a space in which they could live with this kind of work. Iduma: One other idea that I’m interested in with relation to photography is the idea of the vernacular, which has always been important in photography, and seems to be equally important to the London homes you designed, like Glass House or Dirty House, both from 2002, or even the more recent National Museum of African American History and Culture. Pari Dukovic, David Adjaye, 2013Courtesy the artist/Trunk Archive, In the course of the nearly thirty years of his practice, Sir David Adjaye’s projects have been realized on five continents. I always say to people, “Don’t believe capitalism; it’s a kind of game.” So, yes, I am completely invested in thinking about the trauma of gentrification, especially in communities that are the least able to resist change—I am totally empathetic. Worldwide Delivery. Spirituality: Aperture 237 (Aperture Magazine) Aperture. Terms of Use. And that intimacy has to do with the idea of the person in the construction called space, called the city, called whatever typology. Yet it seems clear to him that there are distinctions to make with regard to scale: between the domestic and official, the intimate and public. by Lou Stoppard, Annabelle Selldorf Iduma: I feel like I would call that a pre-apocalyptic vision. Alistair O’Neill on photographs and book covers, David Adjaye MOPA is hosting their latest Connecting to Collections. Iduma: Your 2011 book, African Metropolitan Architecture, includes numerous photographs that you made throughout the continent. Advertising Courtesy the artist. In a world of brutal urbanism, can a home be a refuge? Lead funding for the “House & Home” issue of Aperture magazine is provided by the Henry Luce Foundation. The Spring 2020 issue of Aperture considers the meanings and forms of a home, and the relationships between architecture, design, and the domestic realm. Adjaye: Gentrification is a big topic, and it’s a trauma. If you look at the houses that we’ve done, there’s always either a reference to the local area, or to the construction, or to the materiality. is depicted? So instead of waiting to hear from me at a lecture, a young kid in Malawi, or in Vietnam, or in the Philippines can actually know what I’m doing and what I’m looking at. I am interested in them because of this relationship between the ideas of figure and space, and the way in which they try to speak about the connectivity of it. Adjaye: For me, the crisis of the home is in this idea of the refuge, or the respite. Host an Exhibition, Contact Us Introduction by Yxta Maya Murray, Seher Shah & Randhir Singh The publication of Diane Arbus: An Aperture Monograph in 1972, and the posthumous retrospective at the Museum of Modern Art, offered the public its first encounter with Arbus’s achievements. That’s thousands of images, documenting the history of the medium of photography, all within the pages of Aperture. Paperback. If New York, or Manhattan, is a model of the relentlessness of how the city can punish the body, it’s a warning at the same time of the brutality of the city against the body in the future. Perforated concrete, overflowing images, and a “camera obscura” house Adjaye: Photography is critically important to me because photography is not just images of places, but it encodes within the eye of the photographer a whole set of information that really captures the narrative about a time, or a place, or a form, or an object, or an experience, or even just a sensation. When I was making my journey around the continent, I was shooting and cropping and editing my images very specifically. Iduma: Is this something in particular that you’re thinking about in relation to the design of the new Studio Museum in Harlem? Yes? Aperture … Iduma: Yes.