This qualifies Nikon's Z cameras as amongst the best mirrorless cameras you can buy. Yalding Hill bigger or fill screen. Weight: 395g (Body Only). Sensor Type: CMOS It covers a 35mm equivalent range of 75mm-375mm and features a minimum focus distance of 50cm. It’s a great low light performer too, with a native ISO range of ISO100-51,200 at up to -4EV. • The best Nikon Z lenses for the Z6, Z7 & Z50. The 3.2in, 1040k-dot screen on the Z 50 is a little different to the ones we’ve seen on Nikon cameras before. The Z 50 adopts function buttons (Fn1 and Fn2) from the Nikon Z6 and Nikon Z 7. The only area of our lab tests where the Z 50 doesn't excel is resolution. Louise Carey, A 0.39in, 2.36-million dot electronic viewfinder is what we’d expect to find on a camera at the Z 50’s price point. Dropping the resolution down to Full HD allows you to shoot movies at up to 120fps for slow motion recording and there’s a 3.5mm input for plugging in a stereo microphone. Visit our corporate site. With the ability to capture uncropped 4K video, Nikon has positioned the Z50 as a strong contender for the attention of the rapidly growing, lucrative vlogger / influencer market. Beside the screen Nikon has added permanent touch buttons that can be used to quickly inspect images in playback mode and change the display view – something we haven’t seen on a Z-series camera before. The 20.9 MP DX-format sensor borrows the fast, wide Hybrid-AF (autofocus) system from Nikon's full-frame 'Z' cameras, with 209 AF points covering 90 percent of the sensor width and height. SD cards are inserted into a single-slot next to the battery compartment. The Nikon Z 50 paired with the Nikon Z DX 16-50mm f3.5-6.3 VR lens (£989). (Image credit: Digital Camera World/Future). Despite being smaller and lighter than the Z 6 and Z 7, it manages to successfully uphold the style and feel of the company’s Z system while offering Nikon D7500-like features with usability closer to that of Nikon’s advanced entry-level DSLR, the D5600. The sensor teams up with the same EXPEED 6 image processor that you’ll find in the Z 6 and Z 7, however unlike Nikon’s pair of full-frame models, the Nikon Z 50 doesn’t feature in-body image stabilisation (IBIS). • The best Nikon cameras  This stretches right around the side to its prominent thumb rest at the rear, making it very comfortable and secure to hold in just your right hand when working with lightweight lenses. A side view showing the various ports. A small little dimple would solve this. The cheapest full frame Z mount lens at present is the Nikon Z 50mm f1.8 S (£349), which is equivalent to a 75mm f/1.8 prime on the Z 50. The release of the Z 50 echoes the message that Nikon sees a bright future in APS-C cameras, especially the kind that appeal to people who like to pursue photography as a hobby and fancy a small system they can grow with that doesn’t come with the same expense of buying into full frame. When the camera is being used handheld to shoot subjects that move quickly or unpredictably, you’ll want to remember to switch the optical VR from Normal to Sport mode to ensure the image in the viewfinder remains stable and smooth as possible. From the crops below, multiply the number below the lines by 200 to calculate the resolution on lines per picture height. We thought the Nikon Z6 and Z7 were compact, but the Z50 is positively dinky, particularly with the new ‘pancake’ Nikkor Z DX 16-50mm f/3.5-6.3 VR kit lens attached. One of the things we’re particularly fond of is its rubberised grip. 01959 541444 The large Z mount on show. There was a problem. Subjects were quick to snap into focus in single AF mode when shooting outdoors in bright lighting conditions, but both DX zooms weren’t averse to showing signs of a little hunting when used in low-light scenarios. However, if a vlogging camera's screen doesn't articulate out sideways, it's caught in a bit of a catch 22 between getting in the way of either a microphone (if it tilts upwards) or a tripod (if it tilts downwards). The price of the NIKKOR Z DX 16-50mm f/3.5-6.3 VR lens on its own will be £329, with the NIKKOR Z DX 50-250mm f/4.5-6.3 VR costing £379. (Image credit: Chris George/Digital Camera World), The Nikon Z50's tilted touchscreen enables you to capture top-down shots easily, We shot this image at 16mm (equivalent to 24mm on a full frame camera), We check over 130 million products every day for the best prices. The sensor that’s located directly behind the large Z-mount is closely related to the 20.9-million-pixel APS-C CMOS chip that’s been used before in the Nikon D500 and D7500. It’s possible to trace a little noise starting to creep in at ISO 3200 and ISO 6400 when you inspect images at 100% magnification, but both settings are very useable. These include pinpoint AF to aid with precise focusing on small subjects in the frame, single-point AF, the choice of two wide-area AF modes and an auto AF mode that works in conjunction with the face/eye detection modes when photographing portraits and groups of people. One of the biggest selling points of the Nikon Z50 is how light and compact it is, but you can't truly appreciate these qualities until you're actually shooting with it. Recording Modes: UHD 4K (3840 x 2160) at 23.976p/25p/29.97p, Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p Nikon Z5 Review: Design and Handling Nikon has followed the same sort of design that is has used for the existing Nikon Z6 and Nikon Z7 cameras (and actually, the Z50 , too). The recently updated NIKKOR Z lens roadmap reveals that in addition to the two kit zooms released with the Z 50 at launch, Nikon has plans to make a DX-format lens covering a focal length of 18-140mm. The price of the Z 50 body only will be £849, which works out £80 less than the Sony A6400 and the same as what you’d pay for the Fujifilm X-T30. These were shot with the Nikon Z 50mm f1.8 S lens. A joystick would have been a well-received, however this isn’t expected at the Z 50’s price point and suggests Nikon could be holding this feature back for a more advanced DX-format mirrorless model in the future. This review in greater depth, seeks to evaluate how well those outcomes are met. The X 50's superiority is most evident at higher ISOs, where it holds a clear lead over all its key rivals. www.kelsey.co.uk, TILT Digital Agency WordPress Designers and Developers in Kent, WordPress Designers and Developers in Kent, £989 (with Nikon Z DX 16-50mm f/3.5-6.3 VR) or £1,199 (with Nikon Z DX 16-50mm f/3.5-6.3 VR and Nikon Z DX 50-250mm f4.5-6.3 VR). Users can confidently push up to around ISO 12,800 before noise starts to severely degrade image quality. Nikon Z50 twin lens kit (64GB HDR) at Amazon for $1,149. The new Nikon Z50 mirrorless camera is the smallest interchangeable-lens DX-format camera Nikon offers, and as you can probably tell, I liked it a lot. This pack includes a 16-50mm lens, a 50-250mm lens, and an FTZ mount adaptor. Despite the fact that we were shooting in JPEG on an incredibly grey and overcast day, we were able to get plenty of detail out of the Nikon Z50's files without compromising image quality. The viewfinder doesn’t feel cramped or small, but the main menu could be presented a bit larger in the EVF and users will notice it doesn’t use the full width of the display. This would allow users to control things as silent mode, metering mode and optical VR straight from your smartphone without having to repeatedly go back to the camera. Nikon has done a sterling job of ensuring the handling is right up there as the best of any small mirrorless model on the market. The Nikon Z50 has a 180-degree front-facing screen for selfies and vlogging but, unusually, it flips downwards rather than upwards. This i menu is customisable just like the two functions buttons you’ll find at the front of the body around the lens mount, which again are inherited from the Z 6/Z 7. Viewed on its own, it’s hard to gauge the Z 50’s size. With the deep grip paired with the 16-50mm kit lens, the Z50 is perfectly balanced. As always I’ll follow this up with an in-depth review once I’ve had a chance to fully test a final production model. Once setup, the always-on Bluetooth connection and Auto link successfully sends images across to SnapBridge one at a time. An amazing marketplace for buying and selling photography and video gear. Check out GearFocus! Videographers and those who like to focus manually will also be grateful for manual focus peaking, which has three sensitivity levels and four colours to choose from. The construction of the lens is made up of 9 glass elements, including one extra-low dispersion (ED) element to correct aberrations and provide excellent sharpness and contrast. The mode dial is located where the top plate OLED panel is found on the Z 6/Z 7 and the switch around the mode dial lets you change between shooting stills and video in an instant. It features a Vibration Reduction lens unit in its construction to help eliminate handshake and allow users to shoot up to 4.5 stops slower than would otherwise be possible. It’s small and rugged with surprisingly high build quality for the price, and its thin, sleek design is very attractive. Auto white balance has come on a long way from Nikon DSLRs of the past, which had a tendency to render a rather cool feel to images straight out of the camera. The Z50 is a well-specified video camera that produces good-looking footage. The first two models, the full-frame Nikon Z 7 and Z 6, really showcased this cutting-edge tech, with range of ‘S’-line lenses that are amongst the sharpest we’ve ever tested. Maximum Resolution: 5568 x 3712 An all-new rechargeable EN-EL25 battery provides power to the Z 50. It can rattle out a continuous burst of shots at up to 11fps with full AF/AE tracking, making it Nikon’s fastest enthusiast camera to date. However, despite its diminutive and unassuming size, the Nikon Z50 is capable of much more than just travel and holiday snaps. The Z50 worked well here as well, with the tilting screen and 16-50mm kit lens working in perfect harmony to capture top-down shots. It’s also good to see a front command dial complimenting the rear command dial, which has always been lacking on Nikon’s entry level DSLRs. If you’re prepared to apply some noise reduction in post processing, very acceptable results can also be achieved at ISO 12,800 and ISO 25,600 at a push. Fujifilm X-T3 . The solution was the Z mount, which was introduced in late 2018 and so arrived somewhat late to the mirrorless party. Canon’s recently announced EOS M6 Mark II (£869 body only) is similarly priced to the Z 50. Yalding With a small and non-threatening profile - plus the incredibly useful tilting touchscreen LCD - the Nikon Z50 is perfectly suited to street photography. Although it might not have the edge on Fujifilm’s retro-inspired X-T30 in terms of aesthetics, it has a purposeful design, good-sized handgrip and well thought through layout of controls. Its 11fps continuous shooting range (with full autofocus and auto exposure) almost matches the Z 6 (and exceeds the Z 7), and certainly puts it up amongst the fastest shooters around, matching many pro-level DSLRs. We tested out the Nikon Z50's video functionality and were pleased with the results, including the focus peaking feature, which works just as well as it does on the Nikon Z7. Nikon weren’t able to keep the body small and deliver the Z 50 at under £1000 without forgoing something though. A tilting 1.04 million-dot touchscreen flips by 180 degrees to sit below the camera body, and is primarily designed for selfies and vlogging use; Nikon sees a large part of its target market to be ‘influencers’ who use platforms such as Instagram and Youtube to share content. Two compact prime lenses; a 28mm and 40mm are forthcoming, and so are 60mm Micro and 105mm Micro lenses. Shutter speed ranges from 30secs to 1/4000sec with a flash sync of 1/200sec. Offering superb image quality, The all-new Nikon Z 50 captures perfectly focused photos and 4K movies that are rich in detail, depth, and colour. The best cameras to buy in 2020: cameras for every user level and every lifestyle! It can be tilted down beneath the camera as well as up for low-angle shooting in the landscape format. Please refresh the page and try again. It shares the large Z mount with the Nikon Z 6 and Nikon Z 7 and as well as accepting new DX-format Z mount lenses, it can be used with Nikon’s growing range of full-frame Z mount optics. For photographers who primarily shoot outdoors and want to resolve colour as the natural eye sees it, Natural light auto white balance mode is the recommended choice. A boxy design can be very pretty aesthetically, but not so useful when it comes to shooting. It goes without saying that the way a camera handles and operates is hugely important, and the Z 50 feels extremely comfortable to pickup whilst not being too fiddly to operate. The lens is pretty compact, though not quite as compact as the pancake design of the Z 16-50mm that accompanies the APS-C sensor Z50. Comparing it to the EVF on the Sony A6600, which just so happened to be in the office for review at the same time, revealed it displays a sharper image, with clean edges and no nasty jaggies or colour-moire. By … It doesn’t match the 3.6-million-dot resolution of Nikon’s Z 6 or Z 7 cameras, but displays a crisp image, with very good rendition of fine detail in a scene. Rather than starting from scratch, Nikon looked at the success of the Z 6 and Z 7’s design before setting about making its smallest Z-series camera to date. Its high ISO capability is impressive, with 3,000l/ph and 2,700l/ph being recorded at ISO 6400 and ISO 12,800 respectively. The company says the camera is designed to attract a generation of users who don't consider themselves to be photographers. The rubberised grip extends all the way around the side of the camera to the thumb rest at the rear. The Nikon Z 50 with the NIKKOR Z DX 16-50mm f/3.5-6.3 VR lens costs £989, while buying the Nikon Z 50 with both the NIKKOR Z DX 16-50mm f/3.5-6.3 VR and the NIKKOR Z DX 50-250mm f/4.5-6.3 VR costs £1199. There are both rear and front-mounted scroll wheels that enable aperture and shutter speed to be quickly changed, among other functions. Shooting in JPEG does tend to suppress artefacts at the expense of slightly lower resolution though, so to capture the finest detail we’d recommend shooting in raw. The mode dial isn’t the locking type, but this isn’t unusual for a mirrorless model at its price point. Nikon Z 50, Nikon Z DX 16-50mm f/3.5-6.3 VR, 1/500sec at f/6.3, ISO 200. As well as offering lens kits, Nikon will sell the Z 50 with the FTZ mount adapter for £989. The touchscreen is extremely responsive to light touches and lets you navigate the main menu with great accuracy. Please deactivate your ad blocker in order to see our subscription offer, (Image: © Digital Camera World / Louise Carey), Today's best Nikon Nikkor Z DX 50-250mm f/4.5-6.3 VR deals, Today's best Nikon Z50 twin lens kit deals. My experience of the Z 50’s focusing is that it’s on a similar playing field as Nikon’s full frame Z-series cameras, This is hardly surprising given that it shares the same image processor and hybrid phase-detection/contrast AF arrangement, albeit with fewer on-sensor AF points. Here the dark on light display is being shown. Sensor Size: 23.5 x 15.7mm With on-chip phase-detection pixels and a wide AF working range of -4 to +19 EV, expectations of its hybrid focusing system are high. Can the Z50 take on the likes of the well established Sony A6000-series and Canon EOS-M range, not to mention Fujifilm with its line-up of excellent APS-C bodies and lenses? When Nikon finally took the mirrorless camera segment seriously, it began right at the top with the Nikon Z6 and Z7. One of the criticisms with the Z50 is that the LCD touchscreen tilts downwards, which prevents users from being able to mount the camera on a tripod as they vlog. The Nikon Z 50 introduces new permanent touch buttons on the right hand edge of the screen. Receive news and offers from our other brands? This does mean that the screen would be obscured when used in this way if the camera were mounted on a tripod, but Nikon has hinted that a solution to this is in the works. The touchscreen makes for a great way of navigating the main menu and confirming setting changes. A bright green AF beam can be used to help shed some extra illumination on nearby subjects in low-light. The aperture ranges of the latter two lenses are yet to be revealed. Electronic viewfinders do take a little getting used to, but once you do, seeing the effect of your exposure settings through the viewfinder before you take the shot is nothing short of brilliant. The second zoom – the NIKKOR Z DX 50-250mm f/4.5-6.3 VR has also been made as small and lightweight (405g) as possible. The camera may be physically smaller and lighter than full-frame Z models, but it uses a similar deep grip that is comfortable to hold. The Z 50’s eye detection is very quick to detect eyes looking towards the camera, even at long distances when the face isn’t particularly big in the frame. Those hoping to capture sport, action or wildlife sequences will find the combination of continuous AF and burst shooting at up to 11fps yields a high success rate of sharp shots provided the most appropriate AF-area mode for the subject is chosen. Instead, Nikon has opted for optical stabilisation in the form of it Vibration Reduction (VR) technology built into its new Nikkor Z APS-C lenses. To coincide with the launch of the Nikon Z 50, Nikon has announced its first Z-mount DX-format lenses for the Z-series. By forgoing IBIS and rethinking the positioning of some controls, Nikon has struck the balance just right. New York, If you close your eyes and handle Nikon’s three cameras in its Z-series, you can identify the Z 50 by feel alone. Eye detection can be used in continuous AF, however it’s not available when shooting movies so you have to make do with Face Detection. Moving forward I’d like to see Nikon relay the customised i menu options directly to the app. Having gained an excellent reputation for the way the Z 6 and Z 7 fit and feel in the hand, the pressure was on to ensure the Z 50 offered a similarly pleasing handling experience. Nikon say this has been designed for today’s selfie-shooters, however its use as a selfie screen will be somewhat restricted if the camera is mounted to any form of support, be it a tripod or monopod. The Fujifilm X-T30 shares the same 26.1-million-pixel X-Trans CMOS 4 sensor as the flagship X-T3. The Z 50 manages to produce cleaner images than all but the Fujifilm X-T30. The official sales start date for the Nikon Z 50 and accompanying DX-format Z-mount lenses is the 7th November 2019. My only reservations are the Z 50’s lack of USB Type-C port and fairly restrictive flip screen, which isn’t any good for low or high angle shooting when shooting in the portrait format. Nikon has priced the Z 50 and lenses very competitively, with camera and lens kits starting under £1000. It’s built around Nikon’s Z-mount, a new contender in the mirrorless world. It doesn’t match the 3.6-million-dot resolution of Nikon’s Z 6 or Z 7 cameras, but displays a crisp image, with very good rendition of fine detail in a scene. With three settings – low-speed continuous (1 to 4fps), high-speed continuous (5fps) and high speed continuous extended (11fps), all of which can be used with continuous AF, it’s 2fps faster than the Z 7 and just 1fps slower than the Z 6. Nikon supplies a mains battery charger in the box for fast charging. As things stand, Fujifilm currently offers the highest resolution cameras in the APS-C market. Lens mount: Nikon Z While there's no joystick, as on the Nikon Z6 and Nikon Z7, the Z50 does have a D-pad, The dull and grey skies meant we were shooting at ISO1000, but image quality isn't compromised. The Nikon Z DX 16-50mm f/3.5-6.3 VR is a compact retracting zoom that adds very little weight (135g) to the camera and is equivalent to 24-75mm in 35mm terms. Much of this cost saving is due to the Z50 using an APS-C ‘DX’-size sensor, as used in its range of DSLRs from enthusiast down to entry-level, and this has enabled the camera to launch with a price tag well under $1,000/£1,000. Unfortunately, it’s entering a very competitive market and faces some strong competition, particularly Fujifilm’s X … That being said, I would like to see Nikon introduce Eye AF to video mode, much like Sony has on its latest cameras. The Nikon Z 50 has a simplified top plate. The best camera phone in 2020: which is the best smartphone for photography? The new Nikon Z 50, which uses the large Z mount and accepts Nikon’s FTZ mount adapter and F-mount lenses, is Nikon’s first attempt at creating a DX-format mirrorless camera equipped with an APS-C size sensor. If the Nikon Z7 is the mirrorless equivalent of the D850 pro full-frame DSLR and the Z6 the D750 enthusiast full-frame model, then the Z50 is roughly on par with the Nikon D7500 (and perhaps the Nikon D500) as an enthusiast APS-C camera, and Nikon has hinted that we can further expect to see even lower-cost mirrorless entry level models released in the fullness of time to fit alongside the Nikon D5600 and D3500. bigger. Receive latest product news and technique tips from Amateur Photographer. I'd also get it at Adorama, at Amazon or at Crutchfield. In all other respects the Z 50 has tremendous promise, and what with it hitting the market as such a competitive price, it looks set to give other popular APS-C mirrorless cameras like the Sony A6400 and Fujifilm X-T30 a run for their money. Nikon rates the Z50 as capable of 320 frames on the LCD monitor or 280 frames when using the electronic viewfinder, derived from a new EN-EL25 battery pack. Digital Camera World is part of Future US Inc, an international media group and leading digital publisher. It has a low pass filter and teams up with an EXPEED 6 image processor that sees it shoot across a broad sensitivity range of ISO 100-51,200 (expandable to ISO 204,800). Announced in October 2019, Nikon’s 20.9-megapixel Z50 is the company’s first APS-C mirrorless camera. With no joystick it’s just like Nikon’s entry level DSLRs in the way the d-pad is used to shift the AF point around the frame. Bad Stuff . Anyone who’d like to use the Z 50 with a wired remote release will need to make sure it’s accessory port compatible – Nikon’s MC-DC2 (£35) being one such example. But photography isn't the Z50's only strong point. As to be expected on a model at this level, a headphone port to monitor audio levels is left out. Very importantly, both the screen and EVF faithfully display exposure, white balance and colour so you can be confident that what you’re seeing is a true representation of how the image will look. The exposure mode dial flips from the left to the right side of the top plate, compared to the Z6/7, but in a space-saving (and cost-saving) measure, there’s no top LCD. Receive mail from us on behalf of our trusted partners or sponsors? However, while it does statistically produce cleaner images at lower sensitivities, this will be near-impossible to see in real-world shots. For this review, I got my hands on what Nikon calls the “Experience Kit”. Just as Nikon blew us away with the introduction of the Z 6 and Z 7, they’ve done the same with the Z 50. But the clincher could be Nikon's pricing. Nikon aims this camera to be the ideal choice for traveling photographers who want a lightweight yet capable solution, and that is undoubtedly an area the camera excels. On the Z 50 you get three auto white balance modes, with A0 reducing warm colours, A1 keeping the overall atmosphere of a scene and A2 accentuating warm lighting colour. The Z50 is an interchangeable-lens camera. In our Nikon Z50 review, we said that it's "an ideal travel camera and a great option for those looking to move from a Nikon DSLR". The excellent electronic viewfinder and responsive touchscreen enhance the enjoyable shooting experience, and with 11fps continuous shooting and a responsive autofocus system, the Z 50 rarely feels out of its depth when challenged by fast paced subjects. It’s going to be very interesting to watch how Nikon’s DX format mirrorless system evolves after such a successful start. Spraying the screen with water to simulate raindrops and then navigating the menu by touch revealed moisture has no affect on the response of the touchscreen. Our signal to noise test measures image clarity and the ratio of the actual image 'data' you want to capture, versus the image noise that you don't want, but will inevitably be visible when shooting at higher ISO sensitivities. While it would have been nice for the Z50's screen to articulate sideways (like the Panasonic GH5), the Nikon Z50 is so incredibly light that a gimbal or mini tripod grip isn't really essential. NY 10036. The Z50 is a good debut for Nikon’s Z mount APS-C mirrorless system. In total there are 209 phase detection AF points, which cover 90% of the frame horizontally and 100% vertically, with the option to select every other point for faster AF point repositioning across the frame. External speedlight flashguns such as the Nikon SB-300 (£119) or Nikon SB-500 (£199) can be attached via the Z 50’s hot shoe. The Z50 was perfectly suited to a run-and-gun shooting style as we captured quick snaps in the bustling city centre. It easily slipped into a small messenger bag, which meant we didn't have to mess around with a proper camera bag for a casual trip out. The new NIKKOR Z DX 50-250mm f/4.5-6.3 VR is equivalent to 75mm-375mm in 35mm terms. The Nikon Z50 has an intervalometer built-in. We’d choose it ahead of the Sony A6400 and Panasonic Lumix G90 in a heartbeat, but Fujifilm’s X-T30, which can be picked up for £839 (body only) or cheaper with cash back offers, just about has the edge on the Z 50 in terms of price and the range of lenses that are currently available. On more than one occasion I found it set to the wrong mode after pulling it from my jacket pocket. Its deep, well-sculpted handgrip provides the best handling experience of any sub £1000 APS-C mirrorless camera. Some cameras just feel great from the moment they’re picked up and the Z 50 is one of them. The Nikon Z50 uses the same AF system as the Z6, with the impressive array of 209 points giving you 90% coverage across the frame. Metering Method: Center-Weighted Average, Highlight Weighted, Matrix, Spot The best dash cam in 2020: constant protection for you and your vehicle. It's 20.9MP raw images (after conversion to uncompressed TIFF) don't quite contain the sharpness and fine detail you get in the 24MP images from the Fujifilm X-T30 and Sony A6400. Manual focus, aperture or exposure compensation can be controlled from its silent control ring and its Vibration Reduction system is effective to five stops. A stereo microphone input is located at the side, however a headphone port to monitor audio levels is left out. Overall, we think this is a fantastic enthusiast mirrorless camera (at an even more fantastic price), and proves that Nikon has a clear vision for its Z-mount cameras. Nikon F-mount lenses can also be paired via the FTZ mount adapter. It’s possible to change what they control from the Z 50’s Custom controls (shooting) options. The Nikon Z50 (or Nikon Z 50 as Nikon prefers to write it) brings Nikon's mirrorless camera technology to the hobbyist market. It’s a marvellous little camera that you can’t fail to fall in love with when you’re using it. Memory Card Slot: Single slot SD/SDHC/SDXC (UHS-I) For times when I wanted to precisely meter for the highlights, I found highlight-weighted metering particularly effective. Nikon Z 50, Nikon Z DX 16-50mm f/3.5-6.3 VR, 1/1600sec at f/5.6, ISO 400. Beside the lens mount there’s a pair of customisable function buttons, with the option to load frequently used settings directly from the ‘i’ button at the rear. These are used to magnify images on screen and cycle through the various display views, which include a histogram and electronic level. The Nikon Z50 uses the same Z mount as Nikon's full frame Z6 and Z7 cameras, which means it can use the same lenses and even the same FTZ mount adaptor for fitting Nikon DSLR lenses. Find out how this speedy shooter performs. Entering the remote function automatically fires up the cameras Wi-fi to form a connection. The Z 50 is no slouch when it comes to the speed it shoots at. The updated lens roadmap for the Nikon Z-series. Using the same FTZ adaptor, existing DX and FX lenses for DSLRs can be used on the Z50 too. We also tried shooting indoors, using only (minimal) window light. The lightweight combination of Z 50 and 16-50mm kit zoom allows you to shoot comfortably in one hand if your other hand is occupied. Decent value. Though the Nikon Z 50’s chip can’t quite match its closest rival in terms of the fine level of detail that recorded, the 20.9-million-pixel APS-C CMOS sensor it uses is not to be sniffed at. So what’s not to like? We took the Nikon Z50 around Bath city centre on a busy Saturday afternoon, and it was a pleasure to shoot with. Cyber Monday deals: see all the best offers right now! Isn't it small! Bit Depth: 14-Bit Switching the image quality across to Fine JPEG followed by Normal JPEG saw the number of recorded frames increase to 92 and 99 respectively. Rather than accepting XQD cards, the Z 50 accepts SD cards (UHS-II compatible) via a single slot that’s positioned next to the battery. (Image credit: Digital Camera World / Louise Carey). The 20.9MP APS-C CMOS sensor the Nikon Z 50 employs is closely related to the one found inside Nikon’s D500 and D7500, albeit with on-chip phase-detection and an AF working range that sees it focus down to -4EV. Nikon Z50, Nikon Z 50-250mm DX VR at 250mm at f/8 hand-held at 1/15 at Auto ISO 100 (LV 8.0), exactly as shot in square crop mode. Unlike the Z 6 and Z 7, the Z50 accepts a single SD card that’s inserted next to the battery. Interestingly, like Sony, Nikon has opted to use the same lens mount for both its cropped-sensor and ‘full-frame’ Z-mount cameras, which gives both companies an advantage over Canon, which uses different mounts. The Z 50’s silent shooting mode automatically engages the electronic front-curtain shutter, which true to its word eliminates the slap of the mechanical shutter when you’d like to shoot discreetly. I've spent $3,900 on Black Friday / Cyber Monday (so far), GuruShots: winning photographs from the Artistic Still Life contest, Take your photos to the next level with Luminar AI’s Templates, Cyber Monday camera deals in the UK: cameras, consoles, lenses, laptops + more. Users get to choose from three different image sizes on the Nikon Z 50. Nikon’s Z50 is the best handling camera in its category, but it’s behind rivals in autofocus, shooting speeds, video and particularly image quality. Below the thumb rest, Nikon has opted for a four-way controller in favour of a joystick and the i menu button just below it is very useful for pulling up frequently used settings and saves time navigating the main menu. • Nikon mirrorless cameras and lenses The eye-sensor that detects your eye being raised to the viewfinder is effective and quickly switches the feed from screen to electronic viewfinder and vice versa. The optical stabilisation that’s built into Nikon’s new DX-format lenses suppresses shake remarkably well to the point that with the 50-250mm f/4.5-6.3 lens attached I achieved sharp handheld shots at 1/15sec at the long end of the zoom. Aspect Ratio: 1:1, 3:2, 16:9 Note the Micro USB port, which facilitates USB charging on the move. It’s clearly  designed with those who like to take the occasional handheld selfie in mind, but its use as a selfie screen is hindered if the camera is mounted to a support, be it a tripod or monopod. Turning our attention to its video capability, it captures UHD 4K video at frame rates of 30,25 and 24p. My only criticism is that they’re not illuminated, which would help when working at night. The 3.5mm mic port is located behind its own rubber flap. Tags: APS-C DX-format First Look Homepage Mirrorless Nikon Nikon Z 50 NL Review Z 50 Z mount. The Z50 also features an electronic viewfinder. I started my testing by trying out the new permanent touch buttons, which have the same responsiveness as the screen and can be tapped or held to inspect images in playback or magnify the Live View feed. You’ll immediately pick up on the fact they have a much more plasticky finish, but by choosing to use plastic instead of metal, such as around the lens mount, it has allowed them to be made incredibly lightweight – the Nikkor Z DX 16-50mm f/3.5-6.3 VR for example adds a mere 136g to the weight of the Z 50. Detail starts to go downhill beyond this point with 2,600l/ph recorded at ISO 25,600 and 2,400l/ph at ISO 51,200. We captured a rare quiet back street with the Nikon Z50 set to f/4, 1/200sec and ISO 1000. Good dynamic range. The only thing really holding back the Z 50 at the moment is the limited number of DX Z-mount lenses. Unsurprisingly, the Z 50 is on par with the 20.4MP Olympus E-M5 Mark III. Rather than rushing into the mirrorless market, Nikon has stuck to its strategy of releasing a pair of full-frame mirrorless cameras and building up a selection of full-frame Z mount lenses before turning its focus towards APS-C. Nikon has been quite clever in their approach and by choosing to preserve the look, styling and excellent handling of the Z 6 and Z 7 in a lighter, more compact body, they’ve created a sublime little camera in the form of the Z 50 that’s a delight to use, produces very fine images and presents great value when you consider it can be bought with a lens for under £1000. But if you’re going to turn up late, you’re going to have to make quite an entrance – and the Nikon Z 50 has certainly done that. It can shoot 4K UHD footage at up to 30p or 1080 video at up to 120p. Above the screen there’s a 2.36-million dot electronic viewfinder that displays comprehensive shooting information against a black background on strips above and below the preview image. Purchasing the Nikon Z 50 with the NIKKOR Z DX 16-50mm f/3.5-6.3 VR lens and FTZ mount adapter will set you back £1129. It’s physically smaller than the battery used by the Z 6 and Z 7 and we’re told we can expect to shoot approximately 300 shots on a single charge. The fact they’re also totally flat means they’re not particularly easy to locate when your eye is raised to the viewfinder.